Themselves here, however, to this reviewer's mind it all comes down to this: Marillion, later era Anathema and Novembre would all find something for Radiohead (partly due to the ambiances they create, followed by Ohme'sĭeep vocals) or that they are in the league of their own, adding that devotees of musicĪlong the lines of Porcupine Tree, Pure Reason Revolution, The opening and closing tracks, are no less fitting.Īlthough one could say that Gazpacho are quite similar to The delicate andĮthereal moods are very well complemented with Jan Henrik Ohme's expressive voiceĪnd the tasteful, appropriately used instrumentation. Tend to progress, and are a pleasure to follow with your senses. The compositions flow comfortably, in a way similar to the way post-rock compositions The concept obviously allows manyĮmotions to be implemented in the album, and the group more than just succeeds here. Than a plenty of nuances after subsequent listens). Listening session, rather than its melodies (although one will admit to remembering more Music that you will have memorized owing to the feelings experienced during the One will know whether this will appeal to him or not, as it is 'that kind of music'.Īs banal as the phrase 'don't try to get it, feel it may sound, this is the type of The record surely deserves more than a single listen to be appreciated truly, however, Although the album consists ofįive tracks of formidable length, Night is essentially a single epic compositionįormed by a greater amount of fragments than it is presented on the record for our Reality, dreams and the manner the two are interwoven. Separates the release from its predecessors is that it is a concept album based around In addition to being one that would attract a myriad of progressive hordes with itsĪppealing elements and an extremely adventurous approach to songwriting. The 2007 release Night can be seen as the group's most ambitious effort yet, Norwegian colleagues' creation, which could be another possible source of inspiration,Įspecially seeing as how the two do indeed share some aspects of their sound in Coincidentally, the latter also have a track sharing the name of their Presence as a supporting act for the definitive neo-proggers Marillion during Progressive rock fans got acquainted with this promising ensemble owing to their Gazpacho is a relatively new Contemporary Progressive Rock group comingįrom Norway, presumably named after the delicious Spanish spicy soup. Kristian Skedsmo / accordion, didgeridoo, mandolin, banjo, low & tin whistles Releases informationĬD Intact Records - Intact CD10 (2007, Europe)ĢCD Kscope - KSCOPE224X (2012, Europe) Remixed & remastered and bonus CD w/ 3 Live tracks different cover artįan of emotional prog? Add another half a star. Mikael Krømer / violins, programming, co-producer Thomas Andersen / piano, keyboards, programming, co-producer Jan-Henrik Ohme / lead & backing vocals
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